#i know I've said iconic a lot today but like this is one of my favorite scenes of the whole series

[witherby]

imagine how cute would be if Bruce brings the little wayne to his work on wayne tower 🥺 the moment would be ruined if some paparazzi taking photos with flash and scaring the baby

Sooo the baby didn't end up getting scared, but this idea did make me spit out 2000 words worth of content. I hope that's a fair compromise :3

THE LITTLEST WAYNE: TAKE YOUR KID TO WORK DAY

Featuring: Bruce talking to you like a colleague, a newspaper article, and an overprotective Damian.

"Morning, Clarice. Donuts and coffee are getting delivered in five minutes if you wanna pop downstairs and help yourself. Afterwards, do me a favor and rebook the consultation with Lexcorp for sometime next month? The further out the better."

Bruce's secretary nodded, fingers flying across the keys to accommodate his request. She tucked a lock of strawberry blonde hair behind her ear and shot him a polite smile.

"Of course, mister Wayne — oh, goodness gracious."

Bruce's placid expression quickly became embarrassed. He tried to walk past her but she was already on her feet and rounding the desk, heels clicking over the linoleum floor to stand in front of him and the bundle on his arm.

"Who is this!" She cried, immediately fawning over you. You stared blankly at her as you suckled on your binky, wrapped up in a tiny Nightwing onesie (Dick got to the clothes first this morning) and hugging your father's arm. "Oh, my, you're the most adorable baby I've ever seen! I'm Clarice! I'm your father's personal secretary, and apparently the last person to find out anything, including when he adopted yet another child!"

"This wasn't a...planned acquisition," Bruce muttered, the tips of his ears pink. He let the blonde gently squish your fat cheeks and you preened under the attention, lifting one fuzzy-wrapped hand to brush against her wrist.

"A planned acquisition. Like you're another company he bought on a whim and not a precious angel," Clarice giggled. "What a doll... If you ever need a babysitter, Mister Wayne, please don't hesitate to call me!"

"I'll keep that in mind," he said, exasperated but smiling good-naturedly. "Have a great day, Clarice."

"You, too! Bye-bye, angel!" She waved, and squealed when you waved back.

Bruce disappeared into his office with you, bouncing you gently on one arm while the other shrugged off the duffel bag he carried with him. Zipping it open, he quickly tugged out a pop-up bassinet to place you in, then the pieces to an enclosed play pen he built and filled with some blankets, a couple toys, and an extra Red Robin binky (Tim got to the toys first this morning).

"Okay," he sighed, scooping you up and relocating you to the pen. "I've actually got to run my own company for a bit, and the others are busy, so you get to hang out with me today."

Bruce rested his arm on his desk, then his chin in his hand, and stared down at you. You were staring intently back at him, the binky bopping up and down as you suckled on it.

"You're a little young to learn the ropes, but I'll explain what I'm doing anyway. Every baby book I've looked at tells me you get something out of it even if you don't understand what I'm saying, so today it's time to do payroll. I'd make you sign an NDA, because you're about to see a lot of personal files, but you don't know how to hold a pencil, read, write, or speak yet, so I think we're fine."

Bruce had two monitors on his desk. He duplicated his screen and spun the other one around so you could watch what he was doing in real time.

"I don't like to delegate this task to other people because the last six times I did, they were eventually found embezzling money. Unfortunately, that tends to happen when you live in Gotham. Right now I've opened the pay software — it's this icon here, where the mouse is circling — and I'm going to ask it to open the time sheets for the last two weeks..."

---

A NEW FAMILY MEMBER? BRUCE WAYNE SPOTTED IN WAYNE TOWER WITH INFANT, SPECULATION GROWING

CEO of Wayne Enterprises Bruce Wayne seen with a baby after exiting his office this afternoon!

[An image of you in your Nightwing onesie, tucked securely in a smiling Bruce's arms as he walks out of an elevator, is printed on the front page of the Gotham Gazette.]

Sources say Wayne filed another adoption form with the courts a week ago and is being met with mixed reviews. Large portions of the public are joking that Wayne has an "adoption problem" while others speculate he is too inexperienced to foster an infant.

"Wasn't his youngest kid, like, 9 when he adopted him?" Asks one Carmine Falconi, recently released from Blackgate on good behavior. "None o' my business, of course, but I don't think he knows how to raise a tiny tot like that. My guys ain't touchin' a hair on that one's head, though. Kidnapping the odd teen or two, sure, go nuts, but even us crooks got codes, and that one's off-limits in my book."

Wayne declined to comment when the Gotham Gazette reached out and remaining family have further refused interviews about the subject.

(Alfred got to the phone first.)

---

The newspaper clipping was already framed and proudly sitting on the dining room table when Bruce woke up the next morning and shuffled downstairs for breakfast with you in his arms. He spared it a tired glance, put you in your high chair, and relented to Damian's insistent shoving so the boy could sit next to and feed you (he got to the pantry first).

"The next time you plan on actually doing your day job," the boy hissed, "bring one of us with you. There was an abysmal amount of security protocols you ignored when leaving work to allow paparazzi the chance to grab photos. I won't let your frivolous behavior cause them harm."

"Are you volunteering?" Bruce asked, gratefully accepting the mug of coffee Alfred handed over. He quietly greeted Dick and Jason as they filed into the room and had a quick rock-paper-scissors match to see who got to sit on your other side. Jason won. "Any networking events I have to attend, you almost always find a way to weasel out of."

"If it will keep our new charge safe," Damian huffed, "I can handle a few stupid luncheons."

"That's not a pass to skip school. If it's between a social or a class, you're going to class."

Damian looked simultaneously pissed and relieved. His fist clenched tightly around the small, silicone spoon, before he forced himself to relax and continue feeding you. You opened your mouth obediently for another offering of mushed-up bananas, apples, and cinnamon baby food from a high quality brand, giving a happy hum.

"Then the duty falls to one of you fools," he snapped at Jason and Dick, "which is akin to trusting a mosquito not to drink from you at the first possible opportunity. You'll pick up the slack when I'm otherwise indisposed."

"No can do, baby bat," Dick said, pouring himself a bowl of cereal and scrolling through his phone. He quickly snapped a picture of you with your mouth open to accept another spoonful of food. "I have a day job, too. I don't even live here. I'm just on an extended vacation until the end of next week, then it's back to Blüdhaven."

Damian focused his glare on Jason next, who smirked back and shook his head.

"Legally dead. So, 'less you want Brucie Wayne and an innocent baby seen all around town with Red Hood, the crime lord, it's a no from me."

Damian weighed the pros and cons. Bruce shot him a look and shook his head, dismissing the idea entirely.

The boy grit his teeth. He scraped the last of the baby food from its jar and fed it to you, then delicately wiped the remnants from your mouth. You gummed at his finger and made grabby hands, indicating your desire to get out of the high chair. Jason scooped you up first with a swift call of "dibs!", carrying you away to get bathed and dressed for the day.

"Then...then you have to go into work with Timothy!" Damian demanded, facing Bruce again, who had finished his coffee by now and was eating a slice of buttered toast. The man raised a brow, looking only marginally more awake than he was at the start of the day.

"Tim hates being at the office with me," Bruce explained as Alfred came around to set a plate of pancakes, eggs, and freshly-squeezed orange juice in front of Damian. "Says the Brucie act is annoying to be around and it drives productivity down at least 8% every time. It's a lie, I've checked the numbers, but if he doesn't want to be at the Tower at the same time as me then I'm not going to push a non-issue."

"You?" said Damian, incredulous. "You aren't going to push a non-issue? You push everything. It may as well be your middle name."

He cut into his food with more force than necessary, cutlery scraping unpleasantly against the plate until he lifted his hands again. He shrugged off the hand Bruce tried to place on his shoulder, chewing angrily on a mouthful of pancake.

"I'm open to ideas, son," the man said, "but here are the facts: You have to go to school Monday through Friday. I won't let you homeschool because you need to socialize with people in your age group. Jason isn't interested in declaring himself alive right now. Dick doesn't live at the Manor full time and has separate responsibilities. Tim is juggling college, Wayne Enterprises, and patrols. Alfred is too ol— is aging gracefully, and might prefer to have more time to himself instead of watching the baby all alone for hours on end."

Alfred took Bruce's empty plate away with a very sharp look, then excused himself back to the kitchen.

Bruce turned in his chair to fully face Damian, who glared at his breakfast like it personally caused this mess, and not one hyper-empathetic man and his bleeding heart for orphans.

"Now, can you tell me how best to solve this problem without the occasional "take your kid to work day," or enrolling the baby in a daycare program?"

Yes, he could. But unfortunately for Damian, he had inherited a bleeding heart of his own, which constricted at the thought of giving his little sibling back up for adoption. Instead, he swallowed his next mouthful of food and sighed.

"More research is needed," he mumbled, which was the closest he could ever get to admitting he didn't know something. "However, my complaints still stand. Let the paparazzi get a bad photo if it means keeping the babe safe. Their well-being is your top priority, so act like it."

"Heard," Bruce said, sounding far too fond for Damian's liking. "Finish your breakfast and then get ready for school."

The boy grumbled but complied, and soon stood next to the door waiting for Alfred to pull a car up to the driveway. He watched Bruce carry you in his arms after he slung the duffel bag with your essentials over his shoulder, tugging the small hood of your red oneside up (Jason dressed you first today) over your head to ensure you didn't get cold.

"Have a good day, Damian," Bruce told him.

"Sure, whatever." Damian took you from his father and adjusted your hood himself. You grabbed his finger in your small fist with all the strength you could muster and tried to put it in your mouth. He gently pried it free, and Bruce popped a Batman binky in there instead. "You will be safe today. When I'm finished conforming to what American society deems a proper education, I will retrieve you myself."

Your binky bopped up and down as you suckled on it, staring silently at Damian. It was practically a yes to him, so he took it.

Glancing briefly at his father, he hesitated a moment, then kissed your forehead and quickly passed you back to Bruce before heading outside to let Alfred drive him to school.

Bruce watched him go with an unreadable expression. He quickly turned and faced Dick once Damian was out of earshot.

"Did you —"

"I'm texting you the picture right now," Dick said, thumbs flying across the keyboard. "What should the caption be for my Twitter post? #BestBrotherEver or #SecretSofty?"

"Either way, he's going to kick your ass."

[daenysx]

Hey babes first off cinnamon girl sleepover is absolutely iconic I love it! Very much helping me get into the autumn mood.

Can I please request James Potter + 11:25 pm? <3

11.25 PM | JAMES POTTER

"which one looks better?" you ask james as you hold two dresses in your hands. "i think this one is like- for a fancier night. oh, wait there's one more."

you're trying to decide what you want to wear to your friend's birthday party tomorrow night. it's important because it will be the first time james will meet your friends from work. he sits on your bed, watching you and helping you pick something.

you said you should decide what to wear before you sleep, and james agreed immediately. he likes this routine a lot, not just for special occasions but even in your daily life, you ask for his opinion on your outfit for the next day. he likes matching jewelries with your clothes, or telling you how much he likes your shoes.

"i think the dark blue one is really good." he says. "you remember i've got a shirt same color? we can match."

"oh my god, yes!" you say happily. "that would be perfect. i can wear my black heels."

james laughs at your excitement. you put the dress on your chair neatly, you can go to bed now that it has been decided.

he pulls you to his lap the second your leg touches his. he's quick to kiss you, your hand goes to his neck to get him closer. "sleepy?" you ask him, your lips still on his lips.

"a little." he admits, your gorgeous boy. he's been tired at the training today, he'll probably drift off the second his head hits the pillow.

"you know, now that the fall's coming, i think we should go shopping when we have time."

"yeah?" james asks, trying to settle down in bed with you. he's got big arms and a huge chest so it's not hard for him. "what should we get?"

"new lipsticks for me, because i'm running out of my red ones." you tell him. "and a new jacket for you, because yours will probably have holes in its arm if you keep pulling it down your wrist."

"and scarves?"

"yes!" you agree. "and pumpkin shaped candles."

james falls asleep somewhere in this conversation, he's got a smile on his face when his eyes close on their own. making shopping plans before midnight is a good idea. you kiss his cheek before leaving the bed to turn off the lights.

cinnamon girl sleepover ♡

[alllgator-blood]

AS OF TODAY IT'S BEEN ONE YEAR SINCE I POSTED MY FIRST BISHOP REF SHEETS AUGHH!! Thought it'd be funny to do like a comparison thing of how they've changed or stayed the same after 365 days of drawing them. Gonna be SUPER lazy and just take their ref sheets from then + now and put the pngs side by side lmao.

Also gonna add a poll to the top part of this because ALTHOUGH I FEEL LIKE AN EGOMANIAC ASKING, this is the one day it feels appropriate to ask:

idek what I mean by iconic. Maybe just who you like best/whose design is your fave/who you think of first if you think of my blog? I've seen artists I like put up this same poll and I always wanted to try :')

ANYWAY. COMPARISON DRAWINGS + LONG RAMBLING BELOW THE CUT:

I think leshy has stayed the most consistent in my comics. He has some sad moments (because NOBODY'S safe), but when nothing is actively upsetting him, he's a very happy guy. He is NOT bogged down by the reality of his situation; he just likes to host bonfires, dance stupidly, draw comics and shake his followers to death between his teeth. I somehow have not altered the fact he's a stack of 6 wooden balls with limbs attached, I wanted him to look like a wood carved toy and frankly it's a pain in the ass to make art of him. But he's worth spending a million billion years drawing wood grain lines for <3

Generally he looks about the same as he did a year ago? The paws definitely changed but I like these guys to look more animal than humanoid, so the vaguely human-ish hands + feet had to go. It doesn't really come across, but his feet are now caterpillar suction cups to help him climb trees!

HEKET MY BELOVED. I really feel like I do her a disservice by not making much art of her and putting her really long angst comic on hold cause I wasn't happy with the ending, BUT I DO LOVE HER. Her personality hasn't changed much since her first iteration, which is to say she's still "generally pissed off and fairly arrogant, but loves her family and knows when she's gone too far".

But her ROLE in the comics definitely changed a lot. I have multiple unfinished comics and a ton of sketches where she acted as shamura's caretaker because kallamar was too squeamish to do it himself? That's why in my comics that take place in the infirmary, you can see her temple motif. BUUUT that ended up changing so now, as the second-most chronically ill of the family, she's too shook up to visit shamura in the hospital because all she thinks about is how that might be her someday.

KALLAMAR IS SO DIFFERENT. MAYBE THE MOST DIFFERENT OF THE FOUR. I made a lot of quality of life edits to these designs, mostly making the crowns shorter and removing the crosses, but kallamar's lumpiness had to go because it was so annoying to draw and I hated the implication that he was just a big writhing ball under his robes lmao. I also transed my kallamar's gender pretty early on (genderfluid...) but never outright said it I don't think? Initially I felt cringe for doing that but nowadays I've seen a LOT of people have transfem kallamars so like. I do feel better about it!

Kall went from generic "guy who sucks + is anxious + everyone hates him" to "the underappreciated glue that holds the entire family together, but silently grapples with the most feelings of impending doom" and I'm not sure how it happened. I'm very happy though because initially I didn't like him, but he fills gaps that the other three really can't fill, and I don't know what my comics would be like if I clearly hated his guts??

There they are.........my blorbo....the big cheese.....the eeby deeby. They were so obscenely silly in their first version, I literally forgot they used to look like that and burst out laughing when I found the old ref sheet.

I had no way of knowing that after drawing this image, I'd draw these stupid idiot cartoon cult leaders every day for the next 365 days, so initially shamura was just "haha funny senile spider" I think? I don't really remember when I settled on "senile spider that switches between kindly grandparent that tells old war stories / ETERNAL UNENDING SUFFERING. SALVATION SHALL NEVER COME FOR A THING AS WRETCHED AS I"? But if you told early 2024 me that I'd eventually make them like JACKED I wouldn't believe you lmfao

I dunno, I think about this character a lot so I'd be here all day if I talked about them. Both my headcanons for them, and the actual canon details are just. MWAH. I love them so very much. They're so tragic and I ball my fists and go "AAAAAAAAHHHHHHH" when I think about how sad they are in the game. I love it.

I originally wrote a long thing about my personal life here but I felt like it was too overshare-y, so I'll just say that fixating on this game kinda saved my passion for comics. I think 2023/early 2024 were the absolute worst years of my art life; nobody was reading anything I made, I was too depressed to draw, and I stopped giving a shit about any of my OCs. But art/comics was my main way of coping, so it was just a neverending loop of "I'm too sad to draw" "but I'm sad so I want to draw" "but I can't because I'm sad" and nothing ever got done. Those silly shitty ref sheets were pretty much the only thing I managed to make during that whole time, I had NO idea it'd turn into a hyperfixation.

I figured it was weird to make fanart and not share it, so I started up this blog after posting to reddit. And a TON OF PEOPLE SAW THE FIRST ART I MADE. Idr how many but it was so much more feedback than I'd gotten like...ever?? Really it didn't pop off that much compared to other people's posts, but it was monumental for me. So that in combination with the hyperfixation's death grip on me got me to finally start regularly drawing again. Things are still shitty and it's hard to make it to the next day a lot of the time, but when I sit down and draw a silly worm or a big frog I feel a lot better.

I love these characters so so much, they're the perfect blend of cute and tragic, stylized but simple, and they have clear personalities but a lot of room for additions. ALSO they're weird species of animals, and I spent years of my life drawing exclusively underappreciated anthro species. I'm just very happy this game exists and came out when it did, because I definitely would've given up on comics by now if I didn't glom onto these characters.

This is getting really long. I know the anniversary of starting a fuckin blog not that deep but I don't really have like, a social life or support system or anything, so genuinely people sending me their art/ideas or saying they like my comics or just asking me about my headcanons is the best shit ever. Feels good to finally have something I care about that I can also share with people. I get overwhelmed easily and can't respond to everything even though I want to, but I promise this is so much better than the eternal feeling that everything I made wasn't worth reading.

So ah...if anybody is reading this, please know this silly cult game is the main source of my joy rn and just by looking at my art + comics, you've helped me more than you might know. Thank you

[directdogman]

Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?

[dereks-unrelenting-heart]

Okay, I finally got to watch today's video, so here's the not-quite-live commentary/chaotic highlights post I promised about it :)

Not entirely video related, but I love that as usual, I see a bunch of people in the comments saying "Woah I never knew AJ stood for Alexander Jeremy" while I'm here like. I don't think I've ever heard any of them refer to Tom as Thomas before this intro. Do they normally introduce him that way and I just never noticed or-?

Eve is an icon, love the vibes going from "oh fuck" in response to "what is your name?" to her pulling a "your mum" on Sam. Got her confidence back real quick there

Not to mention the fact they actually used 'your mum' as the stimulus-

"My mum is lovely" *5 seconds later* "You ring the bell, I don't want to" Something is telling me her mom isn't that lovely

AJ saying the name Martha, trying to figure out who it would make sense for Martha to be, and then giving up by saying his character panicked. Love it

"She's a massive *bleep*" Censors aren't allowing me to hear Tom say 'bitch' and I won't stand for it

I saw a comment say it as a joke, but it really was funny how Sam kept saying change until Luke made them a straight couple (calling Tom's character 'Suzanne') lmao

Darren: "Listen, I'm gonna win her over, okay?" Suzanne, about to sob: "yeah-?"

The whole coming onto Suzanne's mom bit was gold "He's coming onto me" "Sorry I'm panicking" "Why am I coming onto my mom??" "You're panicking!"

"I wish I had his muscles.." "Oh you'll catch up with me, don't worry" Tom you're so fucking funny-

The slight hesitation from Luke at the 'men' suggestion, followed by all of the other three being like "Fuck yeah, let's complain about men" is so good and lowkey reminds me of Tom's vs everyone else's reaction to the Evil-Make-A-Wish-Kid title

"Because you have one thing on your mind" "Yeahhh" "Podcasts" "🤨"

"Take 2 steps towards your progress" is the new "Today embarks on change"

Legendary Letters/Time Warp crossover we didn't know we needed

Words can't describe how much I expected and wanted the last line to be "Now you are our bitch" goddamnit-

Sam entering the scene, eating a large block of cheese while moaning, and waiting for another character to interrupt him, only for AJ to fuck it up immediately upon doing so, this is what we love to see

Something about Sam going "I love cheese :D" makes me very happy

"No one wants me to say" He's right, I absolutely do not want him to say what's so different, not while knowing SFTH's history with dairy products

I know everyone's been saying this, but yeah Sydney is definitely cosplaying as Sam in this video and I respect that

Luke's character quickly becoming problematic throughout Pillars is great. First he's unfaithful, then he's saying 'gay people' and 'the t-word', and by the end he apparently represents all of the world's problems smh

"I'll just sign this myself and do it in your writing" Heathers: father's will edition

Speaking of him, are we gonna acknowledge that he's trans-? "When I gave birth to you, do you know what I said to your mother?" Because none of the guys mentioned it, which is unlike them

"Daddy, I just want a fucking hug!" The first uncensored 'fuck' in the video!

Tom describing AJ's Tindr profile while AJ tells him to shut the fuck up-

"Sorry Mum!" a necessary apology from Sam, although at this point in his career I feel like it has a lot of ground to cover-

Thought for a second we were gonna get another one of Sam's iconic animal characters. But instead we got a surprise Henry VIII reference??

All in all, good shit as always, though the censorship did throw me off, idk what that's about-

[queerfables]

A dash of nutmeg...

Look I feel a bit like I'm throwing soup at a dart board and calling it analysis, but I have some thoughts about Aziraphale's magic words in episode 4, and it's going to kill me if I don't share.

The thing is, these words have been nagging at me since I heard them. They sounded familiar, and I've been trying to figure out why. Today, it finally clicked.

Banana. Fish. Gorilla.

Those initial three words are all key words from Crowley and Aziraphale's drunken conversation about Armageddon. It's right at the start of things, when Crowley convinces Aziraphale to help him stop the world from ending.

We'll start with the fish, because they come up first.

"The point I'm trying to make," [Crowley] said, brightening, "is the dolphins. That's my point." "Kind of fish," said Aziraphale.

Their entire exchange here is hilarious and iconic but I'll try to keep this to the point. After some banter about the difference between fish and mammals, Crowley argues that dolphins don't deserve to be caught in the crossfire when the kraken rises and the seas boil. Which conveniently brings us to:

"Same with gorillas. Whoops, they say, sky gone all red, stars crashing to ground, what they putting in the bananas these days?"

Banana. Fish. Gorilla. It got me curious, so I searched for other places these words show up in the book. There's nothing I think is really significant: a couple of things are described as banana flavoured, fish show up in rains that herald the impending doomsday, gorillas aren't ever mentioned again. If I'm on the right track at all, I think this part is here to signpost a connection between this string of words from the show and the specific moments in the book.

If that's true, it must be pointing to something. What's left? Shoe lace and nutmeg.

Shoe lace.

The word "shoelace" isn't actually in Good Omens. Neither is "shoe lace" with a space in between. There's a couple of unremarkable descriptions involving shoes, and one miraculously conjured lace handkerchief, and then - and then. Right at the very end of the story, we have Adam, grounded by his parents, being described as "a scruffy Napoleon with his laces trailing, exiled to a rose-trellissed Elba". It's tenuous. I could dismiss that as nothing. Except Adam's laces show up again, and it's the very last passage of the book.

If you want to imagine the future, imagine a boy and his dog and his friends. And a summer that never ends. And if you want to imagine the future, imagine a boot . . . no, imagine a sneaker, laces trailing, kicking a pebble; imagine a stick, to poke at interesting things, and throw for a dog that may or may not decide to retrieve it; imagine a tuneless whistle, pounding some luckless popular song into insensibility; imagine a figure, half angel, half devil, all human . . . Slouching hopefully towards Tadfield . . . . . . forever.

I'm not ready to say much about what I think the significance of this passage might be. But an allusion to the book's ending does feel significant, doesn't it?

The one thing I will say, for people who may not know, is that this passage is riffing on a line from Orwell's 1984. The line it's playing on is a lot darker: "If you want a picture of the future, imagine a boot stamping on a human face – for ever." I think it's probably relevant that this is referencing a book about a totalitarian regime. I also think it's probably relevant that it's taking that reference and twisting it into something much sweeter, more optimistic and empowered.

I'm still thinking through all the connections and implications, though.

Nutmeg.

And that brings us to "nutmeg". I have to be honest, I wasn't hopeful. I didn't remember any references to it and if I were betting, I wouldn't have put money on it appearing in the book at all. But the word does show up, and it shows up exactly once. Crowley is reminiscing about a cocktail he had once, made out of fermented date-palms. It's part of a conversation with Aziraphale, where they discuss losing the Antichrist. And here's the really interesting part:

"You said it was him!" moaned Aziraphale, abstractedly picking the final lump of cream-cake from his lapel. He licked his fingers clean. "It was him," said Crowley. "I mean, I should know, shouldn't I?" "Then someone else must be interfering." "There isn't anyone else! There's just us, right? Good and Evil. One side or the other." He thumped the steering wheel. "You'll be amazed at the kind of things they can do to you, down there," he said. "I imagine they're very similar to the sort of things they can do to one up there," said Aziraphale. "Come off it. Your lot get ineffable mercy," said Crowley sourly. "Yes? Did you ever visit Gomorrah?" "Sure," said the demon. "There was this great little tavern where you could get these terrific fermented date-palm cocktails with nutmeg and crushed lemongrass-" "I meant afterwards." "Oh."

Book Aziraphale differs from his characterisation in the show in a few ways, and this is the big one. In the book, Aziraphale is much more cynical about his own side, and much more aware of heaven's flaws. Here, he's convincing Crowley that the threat heaven poses is just as serious as any threat from hell.

If I'm right about any of this, if these nonsense words mean anything at all, I think they are saying that heaven and hell are two sides of the same very nasty coin, and more to the point, that maybe Aziraphale is more aware of it than he seems.

I need to think about this more, still. I'm not sure if I really think this connection is something, and if it is, I'm still figuring out what sorts of conclusions we might draw from it. But if the script is trying to point us to these three sections of the book, maybe there's a deeper analysis to be had here.

I do think it's interesting that the last two words each only show up in one section of the book. It's not like I'm skipping around trying to decide which passage involving shoe laces is most relevant - it shows up twice, only in the last few pages of the book and only in relation to Adam (and in particular, humanising Adam. He's Napoleon in exile, but he's a kid with trailing laces. His future isn't a boot stamping on a human face, it's a sneaker with those same trailing laces - and a stick that his dog can choose whether or not to chase).

I could talk myself in circles on this point, so I guess I've got to open it up to the floor. Am I making something out of nothing with this? Or do you think there could be something here?

[nightscythe]

Hello! hope you are all keeping well and had a good May ˶ᵔ ᵕ ᵔ˶

as promised, I wanted to give a short update. very sorry for literally just updating my pinned post and not saying anything else, it was a mix of poor planning and hating saying goodbye...

most importantly:

new fic coming later today,

an upcoming primarch wedding series (more below),

and sorry to everyone who send in requests and is very patiently waiting for me to post! especially on the fic front.

finally got over my fear of writing about magnus. expect it in a couple of hours, i usually schedule posts to go at like 11am or 12pm. on that topic, i'll swiftly move onto what's upcoming and where i was ᵔᵕᵔ

i genuinely don't expect anyone to read all of this, but writing this out is almost like a plan for me to refer back to. years of project management is changing me. i'll have a standard operating procedure next and a project plan.

going forward i'd like to spend more time working on actual pieces of writing, i.e. series, one shots/fics, etc. as opposed to headcanons. i enjoy doing them, and will continue to do them, but it did start to have an impact on the writing i primarily want to do. 18x primarchs means each headcanon was taking up my whole evening, plus planning during the day, so i didn't have a lot of time to do what i actually wanted. i was trying to post at least one a day and yeah, it was burning me out hard.

mentioning posting, i will probably be posting writing less in the hopes i can increase the quality of what i'm posting. i probably will never think its good enough, but that's a me thing. but rushing something at 2am so its posted the next day is never any good. what i'm thinking of doing is a loose schedule for me to work to: update a series on monday, post headcanons on wednesday, an individual piece on fridays, and then anything else i get round to over the weekend. drabbles not included as i tend to just write them on my phone when i'm making dinner or in a game lobby, etc. i do this at work to keep me motivated, and have also started doing this for chores and it helped, so.. worth a try. i mentioned it before but i do have adhd and motivation is probably my biggest struggle alongside actually focusing on what i'm doing.

related to posting, as mentioned i'm going to start a primarch wedding series. coincidentally i got loads of requests about proposals, wedding day, etc at the same time so rather than a bunch of kind of related headcanons, i'll probably do it per primarch. idk if this has been done before, if it has, please let me know and i'll change it so mine is unique. i'm thinking something like those a-z posts, but really unsure. something to think about whilst i finish my civ campaign tonight.

i'm probably also going to be posting works that aren't related to warhammer. i'm not sure what yet, but i've always been apprehensive to post anything else in the past. i have series for simon riley half finished, an entire oc plotline for elden ring and dark souls, a lot of x reader stuff from elder scrolls, and a mix of everything for baldur's gate which has mostly come from my dnd sessions and the game. so that's just an aside. if it doesn't work out, i'll maybe have a sideblog for it.

on a related note, i'm going to be changing how things look on here a bit because i'm very particular about things being uniform and every time i look at my masterlist a piece of me fades... it's so plain and boring and just looks shit. now i've figured out what i want nightscythe to be (oh, it has a whole backstory and lore based plot, just wait), i'm going to align everything. unfortunately my want to sit there and do everything is minimal until i've found the exact style i'm going for. one change i did make was updating my icon. i don't draw very often because i criticise everything i draw, but my boyfriend said he liked it so it was good enough for me. more to come on that front though. i need some new banners, too.. but don't get me started on all that.

finally, on where i have been:

i have mentioned but primarily my motive for taking a break was university, i had lots to submit over the month and it was near impossible to try and keep on top of all of it. i also have ulnar tunnel on my right side and excessive typing makes it 100x worse, so it just made sense. but at the same time towards the end of april i was experiencing a lot of issues with my confidence around writing in general, so it was essentially a welcomed and well-timed break.

the confidence thing has mostly gone and i'll be honest it was in part due to the circulating posts around style, lore, etc. which i definitely fell into because i do tend to focus on the less grimdark side of warhammer; emulating my original description, sunshine and rainbows warhammer content. instead of dwelling i've just decided to put more effort into making sure my works do acknowledge that setting at the very least. my x reader works are more lighthearted and not for everyone, but my x oc works are far more grimdark and firmly set within the lore (albeit, additions to), if you follow me and that's what you're looking for.

if you did read all that, firstly sorry for yapping, secondly thank you for being here.

i mentioned before, i've been in a few different fandoms on here, and this has been the most welcoming so far and everyone is supportive, which is nice. i didn't even think i'd find a space to want to post anything i wrote again, so every time i do come on here, my heart is filled with a lot of joy and love for you all ♡

[nadas-dirthalen]

I Saw Solas's Origin in an Achievement Icon and It Opened My Eyes on 15 Years of Lore

— PART EIGHT: if you haven't read previous parts, do it now! —

[ 1 ] [ 2 ] [ 3 ] [ 4 ] [ 5 ] [ 6 ] [ 7 ] [ 9 ] [ 10 ]

Welcome, friends and travellers! I wanted to get some thoughts recorded before Veilguard's release so I could see if I am right about an absolute BOATLOAD of theories I have.

In short: I saw the achievement list when it was released. I have seen the backstory hints for Solas included in said list. AND MY MIND WAS BLOWN.

You have been warned: THIS COLLECTION OF THEORIES INCLUDES SPOILERS FOR EVERY DRAGON AGE GAME AND ALL PROMOTIONAL MATERIAL UP TO AND INCLUDING OCTOBER 18, 2024.

Come sit down with me. Make a nice cup of tea (and hide it from Solas). We've got a lot of unpacking to do.

(no, this photo isn't the spoiler, I just like it.)

The Story of Solas: Him Solas Evanuris, Da'durgen'lin (1/3)

— The Ballad That Played Right Before Our Eyes —

I meant to write this as soon as I got my day started today (perks of being on the border of a sinus infection right before Veilguard). But I thought of something last night, and I had to do some of the Temple of Solasan and Trespasser all over again to confirm it.

I'm glad I did. I'm horrified at what I found.

Let's begin.

Seriously, as ever, go read the other parts before this one. If you need to only read a few, then read 1, 3, 4, 5, and 7 (linked above). All of those matter for context here, you've been forewarned!

This post will exist in three parts. First up, we've got:

The World at the Time of Solas's Manifestation

Da'durgen'lin: Not the First, but Perhaps Mythal's Last

Solasan: The Icy Terror the World Forgot

The Dread Wolf: Inspiring Hope in Friends, and Fear in Enemies

The World at the Time of Solas's Manifestation

I will be as brief as possible here. Remember when I said the other parts were important for context? It's because we're largely skipping the context we've already covered today.

In the briefest of terms:

Titans, unsundered.

Maker's second children, made. Evanuris, jealous. Evanuris, slaying Titans.

Evanuris, already doing all of their lyrium/Titan-atrocities. We'll get to how I know that.

Conditions are perfect for the blight to begin. All Titans, thus far (that we know of), have been wounded consistently. All are ramping up to "fight back." (We'll get to that.)

But the Evanuris are continuing, heedless of what their arrogance will bring.

Enter: Solas Evanuris.

Da'durgen'lin: Not the First, but Perhaps Mythal's Last

More brevity here, but now with added screencaps from when I just played Trespasser this morning (in fact, I just finished the Shattered Library, and am going to go back to Trespasser after this).

We already knew Mythal was mining Titans for people. What I've refreshed my memory on are three things:

We don't know where in the Deep Roads this is (that I know of)

This is not the only place we see lyrium coffins

This is where we see the codex about needing to forget this place: the one I mentioned began the blight yesterday.

Before I go on, I wish to revisit one more codex from this portion of the Deep Roads: Mythal's Lullaby.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris.

Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Blight you give to the Titan Forever, forever.

I've discovered new significance in it that I have not been able to fit into these posts as yet: this lullaby is almost perfectly in the Hallelujah cadence. It follows Hallelujah's meter, but the lines are split up as a distraction.

It can be arranged as:

Ir sa tel'nal, Mythal las ma (8) Theneras ir san'a emma (8) Him Solas Evanuris, da'durgen'lin (11) Banal malas elgara (hallelujah, hallelujah) Bellanaris, bellanaris. (hallelujah, hallelujah)

With the use of "you" in the song and the fact that it is called Mythal's lullaby, I am going to posit that she is singing this to Solas. Why?

Cole tells us in Trespasser. "He did not want a body. But she asked him to come. He left a scar when he burned her off his face."

I believe that this is Mythal asking Solas to take physical shape. But... why? Why coax a spirit if he did not want to come into the physical world, outside of his Titan? If she coerced him into a body, only for the horrors of the Blight to follow, why would he look up to her as the lone voice of reason among the Evanuris?

I'm choosing to read Mythal in a good light here. Know that, as I continue to theorize, the worst case scenario is also possible.

Solasan: the Icy Terror the Elvhen Tried to Forget

Last night, after writing part 7, I could not get this codex out of my mind. The moment of the blight's beginning. I am astonished that I have not seen it theorized before (not to say it does not exist, just that it has not been flung far and wide across the fandom—at least not where I can find it).

Let's go back to it.

In the light of the veilfire, the runes seem to shift, coiling and uncoiling like snakes. A thunderous voice shatters the stillness, shouting: "Hail Mythal, adjudicator and savior! She has struck down the pillars of the earth and rendered their demesne unto the People! Praise her name forever!" For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast. A voice whispers: "What the Evanuris in their greed could unleash would end us all. Let this place be forgotten. Let no one wake its anger. The People must rise before their false gods destroy them all."

I could not help but think again on how Mythal's lullaby directly says, "Blight you give to the Titan." I asked myself, late at night, in despair: could Solas's manifestation TRULY have been the beginning of the blight on Thedas?

Well, we know where to find out, don't we? The Temple of Solasan. I'm not the kind of person to grab 114 shards in a video game (sorry, Bioware), but I did find a mod that let me in over the summer, and I pulled up an old save.

Jogging my memory made me cry.

The top chamber in the temple is where one finds the inscription on Solas. We'll get there, and we'll also get to the outside of the temple, don't worry. For now, I want to focus on the lower level. (Pardon my Inquisition screenshots and their messiness; I told y'all I wasn't going online in any real capacity today, and I meant it. You're getting all homemade footage here.)

There are three rooms down here. One for plants (left), one for fire (right), and one for ice (center).

Huh. Doesn't that sound like...

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

My heart sank. My stomach twisted into knots. I explored the fire and plant wings again, and found little that I hadn't already explored or looted—only corpses possessed by demons.

But the ice room...

Something flashed within. Something that made my blood run cold (fittingly, I think).

I ventured in. And then I began to cry, for I knew.

Without enemies, not in combat, the floor periodically flashes when you run over certain spots in the room. The whole floor, just for a second, is covered in these.

I'm not one of the fancy fly-cam people, so I spent a lot of time running around until I could hit the Tactical Mode button at the exact right second.

I don't know what this exact sigil means. But I swear that it has blight or bad-bad-not-good-magic implications, and... well, it's red. Red, in a blue room full of ice.

Even with no corpses around this time, no enemies left to fight: I knew, deep in my bones, that this place is what that codex was referring to. Let this place be forgotten.

Let the Titans be forgotten, because of what horrors we have seen.

It makes me read the codices of this temple in a new and horrifying light.

Faintly carved into the stone is a figurebound in chains. Two other figures haveturned their gaze from the central image.The script below the image is ancient,though Solas is able to provide a partialtranslation: Pride in our accomplishments and in our hearts. That same pride became (a word meaning corrupted or altered) within him, he sought to claim (indecipherable), cast from favor and so was bound. Hidden from mortal eyes, death lies within.

"That same pride became (a word meaning corrupted or altered) within him." Now, we have new context on what corrupted or altered might imply.

The same with, "cast from favor and so was bound." The Titan—the Stone—rejected Solas. But why? Was it because of what he was seeking, or because of what Mythal was coercing/asking him to seek? And when he was "bound" — it was by her, right?

But we know what came next. We know that Terror—a Forgotten One, a Titan—fought back, just like Cole says.

"They made bodies from the earth. And the earth was afraid. It fought back. But they made it forget."

The Earth—the Titan—was afraid. It was Terror. It fought back, lighting a room entirely in horrific red circles that gave me a jump-scare (and no doubt doing other terrible blight things). It chased the elves from the Deep Roads, even as they sealed them.

They begged the other elvhen to forget this place. "Hidden from mortal eyes, death lies within."

The blight.

This was terrifying (pun almost intended) for the fleeing elvhen. So much so that they left a parting message by the door to the temple.

An inscription taken at the temple doors in the Forbidden Oasis, followed by a translation. The writing is shaky and uneven, as though the writer labored to complete the task: Emma solas him var din'an. Tel garas solasan. Melana en athim las enaste. Arrogance became our end. Come not to a prideful place. Now let humility grant favor.

Let's re-examine that elven language.

Emma solas him var din'an. Within [Solas or arrogance] becomes our end.

Remember "that same pride became (corrupted or altered) within him?" Does him mean Solas, or does him mean the Forgotten One from whence Solas came?

Regardless, I am beginning to understand the legend, the horror: one last person from one of Mythal's lyrium coffins, and Terror begins to consume Solasan. Elves, fleeing desperately, hands shaking as they carve warnings into the doorway.

The markings are crude and simplistic, but their meaning can be understood: "They did not ask questions and so I was away. I keep my head low and work like the rest. The circle will not hunt this far. At first I regretted the choice, but they all feel the dread at the door. I do not stand out. Only a brother or sister would know these words. If you found your way here as I have, then you are not alone. If you would have allies when this contract ends, then find me." For a moment, the pounding of footsteps can be heard, as if someone is running. Then it fades.

I saw this on my way back to Solasan—I had not seen it before, clearly. I looked, and I wept. I'll admit that.

Because I saw, "the dread at the door," and I knew. The dread locked inside Solasan. The Terror, barred within and forgotten.

And from that Dread? Only one pulled from a lyrium coffin. Mythal's last da'durgen'lin, rushed out of Solasan. I hope that she asked him to take a body to help him escape Terror. I hope that she asked him to take a body to somehow calm Terror, if the Stone truly rejected Solas.

I hope she did not mean for Solas's creation to cause Terror.

Regardless of the motive behind Solas's true and horrific origin, the effect is the same: a parallel to the Inquisitor, Solas's rise to fame and power began when he survived something he should not have.

Dread.

The Dread Wolf: Inspiring Hope in Friends, and Fear in Enemies

If you're like me, you've wondered why these seem to be everywhere. Outside of Dalish camps, sure (even though Fen'Harel is their villain, they still entrust that he'll protect them, uh huh)... but also in the temples and holy places of other Evanuris, not just Mythal. Also out in the middle of the wild.

Now we know. We know because we know the meaning of the Dread Wolf. Wolves, in ancient elvhenan, were warriors, generals, second-in-commands. We can intuit this based on their continued use in Dalish culture with its Arcane Warriors/Knight Enchanters. Solas was one such "wolf" — but he had a quality that no other did.

He had been marked, somehow, by his survival of Dread. I don't know enough today to confirm whether that means Solas is blighted, immune to the blight, or something else entirely, and I only have 1.5 more days until Veilguard launches (and maybe proves all of this wrong). I can only guess at this connection.

Whatever it was, that became his resonance in the culture of Arlathan.

"I was Solas first. Fen'Harel came later... an insult I took as a badge of pride. The Dread Wolf inspired hope in my friends and fear in my enemies... Not unlike "Inquisitor," I suppose."

The insult, presumably, was that he was the one "wolf" for whom it had all gone wrong. Rejected by the Stone; product of a turned Titan fighting back with new blight. But to inspire hope in his friends, and fear in his enemies? We must consider what those friends and enemies would want, and what they would consider hopeful/fear-inducing.

Solas's friends, we know from the agents we see in his rebellion, also want an end to the Blight. His enemies, the other Evanuris, want the blight to cover Thedas.

Therefore: to inspire hope in his friends and fear in his enemies, the Dread Wolf would have to possess some innate anti-blight quality. Therefore, I posit that Solas's title, the Dread Wolf, is meant to refer to how the blight did not kill him when it was unleashed by Terror.

This quality—and the threat that the blight would soon pose to all of Ancient Elvhenan and the entire ancient world—would give way to... well, we all know.

Rebellion.

Stay tuned.

----

Also: I am essentially FULLY OFFLINE to try and avoid game spoilers! As these reviews have just gone live yesterday (10/28), I am not reading my notifications/replies, and am appearing here only to continue posting my theories. I have heard that the embargo has been broken at least once already and I refuse to risk it, so I will respond to messages and notifications once I have played Veilguard for a bit.

(Mutuals, if you need me, you may DM me, as long as you do not mention the reviews in any capacity.)

[genericpuff]

Hi! I came here from your "lore olympus biggest whiff" blog about the finale... I've never read LO but I was always interested in it. However, after reading a few paragraphs of that blog (I didn't read all of it because I didn't want to get too many spoilers), it doesn't seem worth it. Would you recommend it up to a certain chapter? If yes, until which chapter should I read?

Honestly, if you want to read LO, I absolutely highly recommend reading the whole thing, or at least trying to. Not just to give context to the things we're all talking about in these communities, but also because it's about to go behind the Daily Pass wall on August 29th and it'll become even more inconvenient to do so.

I'm personally still a huge sucker for the first season myself because it just has that magic that LO used to have that a lot of us fell in love with in the first place; it still has its flaws, it's definitely the worst of the "Persephone looks like a toddler" era, but the characters feel a lot more real and a lot of the best, most iconic panels from the series come from S1. The first half of S2 also isn't awful, though the art does start to get a bit rough around the edges. It wasn't until the last half of S2 that I personally started to go , "Wait, I don't think Rachel knows what she's doing." That said, I didn't become a full-blown critic of the series until the S2 finale, which is where I firmly believe the comic should have ended (that is, if Rachel had structured the story better to allow for the S2 finale to be the overall series finale).

But you should read as much of it as you can anyways. Even if you can't get through a certain part of the story and decide to DNF, that's fine, but I personally don't want to be the one deciding for folks what they should be reading or how much. I also definitely don't want people forming their opinion of a work like LO entirely through my criticisms of it - the best way for you to form your own opinion, regardless of whether or not it aligns with my own, is to simply read it yourself. I know where I started to lose interest in the series, but you might not feel the same way when you read it yourself. It's definitely happened in the past that people have gone to read LO to "see what all the fuss is about" only to wind up loving it haha and that's great, honestly, I don't want anyone to wind up missing out on something they might like just because of my own opinions about it :' )

Honestly it seems daunting but you can easily read all of LO between today and the 29th, a lot of the earlier S1 episodes are relatively short and the actual pacing of the comic itself throughout the second and third season makes for a very quick reading experience, text bubbles usually aren't too wordy so depending on how fast of a reader you are, you can usually blitz through each episode within 2-3 minutes (that said, I'm also a bit of a faster reader so your reading time may vary). Plus the episode count on the app is also thrown off by several episodes that are purely dedicated to Q&A's, hiatus notices, etc. So it's about a 12-18 hour reading experience give or take, which sounds like a lot, but if you're able to read several chunks of episodes at a time in bursts, it can be done by the time it goes behind DP on the 29th :' )

So yeah ! I do hope you read it for yourself if you're really curious, and if you do, feel free to come back again and tell me about your experience! Did you get through all of it or did you DNF? Did it put any of my own criticisms into better context for you or did you wind up enjoying the series regardless?

Best of luck!! <3

[greenesmyfavcolor]

Just popping in to say that I love your blog so much and that I always find myself scrolling through it when I catch a bad case of Little Shop brainworms <33 thank you for truly being the backbone of this Tumblr community ^^ Also!! Do you have any aspect of LSOH (either film or stage show :)) you LOVE a ton but don't see enough people talk about or praise?? Or just an underrated aspect of it in general?? Hope that question makes sense lol and I hope you have a wonderful rest of your day/night :D

Aw thank you so much! Means a lot to know that I'm contributing something worthwhile to this small but passionate fandom on here!

Anyhoo, that’s a good question. Just about everyone I've seen has covered everything about Little Shop down to the nitty gritty details and I absolutely love that. However, if there’s one thing I think deserves more love and tends to get overlooked, it's Lee Wilkof, who originated the role of Seymour on stage.

He tends to get thrown under the bus a lot by some people and I have absolutely no idea why. I've heard people criticizing him saying that he was too old for the role at the time, but he was only 31 when the show first opened and is actually slightly younger than Ellen Greene but no one seems to be saying that she was too old for her role. That, or either he doesn’t look the part, which I don’t understand how he couldn’t look like Seymour when he was the first guy to play Seymour on stage. If it's about him balding prematurely at the time, who cares? Seymour's not supposed to be this conventionally attractive guy anyway so why should there be a set standard for how he should look? Those complaints are just a bit silly to me.

Besides that, he also gets completely upstaged by Ellen (which is understandable 😂) so most people tend to remember her more when it comes to the original off-Broadway production. I mean, she even got top billing over Lee who was the lead which is kind of insane when you think about it (but again, iconic for her).

And then later, he got even more overshadowed by Rick Moranis, which I also get. He played Seymour in the movie which was most people's first introduction to the character so I understand that there's going to be some sort of bias present.

Basically, everything was not in his favor which sucks cause I really love him as Seymour. He added a lot of grit to the role, which I typically don’t see a lot of Seymours doing. Most people play him very passive or overly timid, which is fine, but Seymour's a very morally grey character that isn't all good or all bad. He's cute and insecure, yes, but he also indirectly murders people and feeds them to a plant lol. There's gotta be a balance and Lee gets that. He really nails all the anger, guilt, distress, etc. that Seymour goes through throughout the show. The Meek Shall Inherit and Death of Seymour in particular are when he really gets a chance to pop off. And he's of course able to be sweet and sincere when needed such as during Suddenly Seymour or basically anytime he interacts with Audrey. His singing is also amazing! I primarily listen to 1982 cast album just for him (and Ellen I won't lie haha). I especially love his vibrato and how hard he goes in some of the songs like Feed Me and Now It's Just The Gas. And he has great chemistry with Ellen! What's not to love?

I also appreciate how he’s still very much involved in Little Shop whether it’s doing an interview, like recently with Little Shop of Audrey, or showing up for Little Shop related events, like the 2015 Encores opening night afterparty. Not a lot of actors do that especially so long after their show has ended so I can tell the role and Little Shop as a whole has meant a lot to him. I mean, he met his future wife while working on the show so you can’t say it doesn’t mean something to him lol.

While I have said in the past that Rick is my favorite Seymour, Lee is for sure a close second. He played an essential part in making Little Shop what it is today by laying out the foundation for Seymour which is very respectable.

So yeah, give him some more love! He's great!

And thanks for the ask! Have a wonderful rest of your day/night too <3

[susandsnell]

i saw wicked today too and loved it! what did you think? (was i the only one who went "oh shit" out loud in the theater when That Cameo happened?)

well i may or may not have just gotten out of my second viewing of it in three days some fourish hours ago, so that should be some indication!

hiya bestie! sorry for the delays on this, things have been thinging and life has been lifing. I'll admit that as early as February I was not looking forward to this movie or its promised follow-up. Splitting it into parts confused me, I was dubious over some of the casting, the visuals, the lighting, and the use of CG, and was being a bit of a hater over the trailers. However, every hater worth their salt should eat crow when they're wrong, and wow was I ever wrong. I couldn't have been more wrong, actually, because I'll go so far as to say (though I have high high hopes for Nosferatu later this month)! that Wicked Part One was my favourite movie of 2024. Extended (gushing) quasi-organized thoughts under the cut, because like Elphaba, no I never stop talking.

Bit of background, I've been lucky enough to see the show live twice, plus countless bootlegs/the cast album being the soundtrack to my life since I was nine. I know the script, the score, and the lyrics back to front. So you can imagine how shocked/pleased I was to find that the movie retained just about everything! I know people are giving mixed reviews about the extended scenes/runtime, but honestly the Oz they gave us (which I'll get to momentarily) was so wonderful and the cast so wholly inhabiting of their roles that I could not get enough of the world and these characters. I also thought they fixed several plotholes/added depth and stakes to a lot of arcs from the musical with their changes, especially with respect to the villains.

Visually, the film is an absolute treat; the colour grading/lighting does have the unfortunate modern fantasy film vibe to it, but the sets, practical props/effects, and costumes more than make up for it. That rotating library portico set? Let me live there! The Wizard's invitation?? The choreography was fantastic and every dancing scene was shot so so beautifully. My only complaint really is the CGI; the animals looked really fakey and goofy, particularly poor Dr. Dillamond, to the point that my entire theater was cracking up when his little goat ears wilted at the blackboard scene during my first viewing. Which is...not really the reaction you want to go for with a scene that's supposed to be depicting a hate crime.

The costumes in particular were a standout; Paul Tazewell's work is so stunning (Morrible's gowns, the revised Popular dress, and Elphaba's little pirate academia number when she gets her Emerald City invite) that I feel comfortable saying with the exception of Glinda's Junon-takeoff bubble dress (because it's just so iconic), they vastly outdo the stage version's costumes. He needs an Oscar for this yesterday and I'm not kidding.

The performances!!! Oh my gosh! Everyone sounding great and there being good mixing?? in a musical movie made after 2007??? Who'd've thought!!! My only complaint musically was, unfortunately, during Defying Gravity. In the stage show there's like 2 pauses in the song for plot to happen (Morrible's call-out and making the broom fly), and through that iirc they keep the instrumental going. Today, at my second viewing, I counted like....6-7 pauses where the song just outright stops, including two instances where they play different sad piano music altogether and give Elphaba this big suit-up superhero moment because book cover nod I guess, and healing her inner child, and it was kind of a pain because part of what makes Defying Gravity such a memorable piece is its momentum and when you stop the song to do something else, the momentum really dies. With that said, all eight parts of Defying Gravity were, in each pocket, performed to perfection.

I had high hopes for Cynthia Erivo vocally, but was dubious about an apparently more earnest, innocent Act 1 Elphaba as opposed to the stage version which I'm more used to, where she's a lot more of a Daria type. However, I was so pleased to find that she deepened the aching tragedy of the character with this take, especially opposite a more sinister and insidious Wizard + Morrible, and her takes on these songs, her vocal choices, her runs...heavenly. Ariana Grande pleasantly surprised me as being much cuter and funnier than I expected, and her surprise option ups during Popular were an absolute treat. Jonathan Bailey was as charming and talented as any Fiyero worth his salt (also loved how casually they made him bisexual?), Jeff Goldblum as the Wizard killed me (especially since they played him as simultaneously more of a huckster conman and an Evil Walt Disney, and it worked), but the show-stealer was Michelle Yeoh as Morrible for my money.

From the moment Morrible swoops in to smoothly cover for Elphaba's power explosion, knowing what it would mean to her to be spared social ruin, I was on the edge of my seat with such a different take on what's usually just kind of a comic relief diva character. Michelle Yeoh's effortless grace and elegance command screen presence. But the slow creep of her goading Elphaba into intensifying her powers while playing the sympathetic ear/mother figure/mentor only to make the betrayal hit that much harder (I genuinely choked up during the cut to Elphie's face when she hears her saying that her skin is a manifestation of her twisted nature), to say nothing of dangling her approval over Glinda until becoming the shoulder for her to cry on at the end of Defying Gravity...my god. chills. Forget Gelphie, shoutout to all the teenage sapphics with something deeply, deeply wrong with them who are going to have an awakening over this chillingly manipulative milfy sorceress who presents herself as a twisted maternal figure and intellectual colleague.

On the note of Gelphie -- oh my god??? A homoerotic swordfight during What Is This Feeling - are you KIDDING???? They amped it up from the stage show if anything; the Ozdust sequence brought me to tears, and then ended with them joining hands and running off together and leaving Fiyero behind like???? The amount of times they fell over each other? Glinda's thousand-yard stare during No One Mourns The Wicked, Elphaba's longing/fond glances....the love note, are you kidding me. They were baby's first yuri for me so seeing them on the big screen played with such natural chemistry by Cynthia and Ariana warmed my heart and got me super emotional. Sidenote, okay, not to be the boss baby guy about Carrie, but with the changes/additions, Elphaba is kind of Carrie White now and I'm here for it? From the visions to the explosions to baby Elphie already having her powers in the flashbacks...and then you get to the Ozdust scene, and the extended cruelty towards her plays very much as Elphaba's They're All Gonna Laugh At You Moment...only for Glinda to swoop in and dance with her as the Sue Snell, so yeah, we now have fantasy CarrieSue in Oz. We won so hard.

Last bit, to address your point about the cameos -- I really was worried that I'd be cringing at all the lore tie-ins with the '39 Wizard of Oz or the Broadway cameos or any of the other fanservice, but it all tied in and flowed so smoothly at most I was rolling my eyes affectionately rather than in exasperation (the Ding Dong The Witch Is Dead tie-in to No One Mourns The Wicked was shockingly seamless). Stephen Schwartz being the one to invite them to see the wizard got me properly emotional!! Idina and Kristin were hilarious and 10/10 diva legends as always, and the extended Wiz-O-Mania propaganda play/Grimmerie Lore Dump is both a visual and auditory treat. The original Glinda showing up to tell Ari to shut the fuck up during her song got maybe the biggest laugh of the movie out of me, but then they had Idina doing her end of defying gravity 'aaaaaaah ah ahhhh' Elphaba War cry riff as a heehe gag just like...20ish minutes before Cynthia!Elphaba is going to do it for real. Which had me in stitches because it plays then as either subversion of the wizard's propaganda in finding her voice, or Elphaba's a theatre kid and said yeah that was a sick riff I heard 2 hours ago, I'm going to incorporate it into my political loudmouthing after nearly being assassinated 20 times. Fuck you, Oz man, I'm stealing your propaganda riff!

What an ending. What a movie. Can't wait for part 2.

Thanks for asking! <3 hope you're well.

[skitskatdacat63]

Happy Birthday to Seb, and Seb only.

+ some explanations

I realized as I was making this, some of the little stuff probably only makes sense to me, and maybe people who have been following me for a while atp. So I wanted to explain some of the little details I included cause I really love them!!

First of all, I wanted to incude my original sketch for this(from like 5 hours ago lmfao), bcs I find it sooooo cute. Look at him!! Little guy!

I. Fernando's Gift

This is of course a reference to the Fernando teddy bear, but more specifically to the vettonso comic with the bear I drew a while ago. As you can see from my sketch, this is the first gift I came up, which I'm pretty happy about!! It's always so cute to me no matter its form. Though...I don't think teddy bears existed yet in the early 1700s, but Fernando found a way, okay? I like to think Fernando is all gruff in the beginning, but gives Seb this or something similar and remarks "to keep you company when I'm back in Spain," and then he has to pretend he has food poisoning rather than living with having said something so sappy.

II. Mark's Gift

I don't think this is really a reference to any specific post of mine. Dog!Mark is just an important Mark characterization in general, but especially in boy king au where he is really reduced to the status of dog by virtue of his upbringing and vocation. He definitely plays this off as wanting Seb to get another hunting dog(something he advocates for often. Seb knows it's entirely self motivated but loves to humor him bcs its cute to see how much he loves dogs. Well Seb loves dogs too, one dog in particular-)

III. Jenson's Gift

AAAAHHHH I'm so proud of this one bcs of how many leves there are to it!! I couldn't for the life of me think of what Jense would gift him but then I remembered I characterize him as horse obsessed(read: ye olde carfucker.) So this is basically the ye olde version of him getting Seb ultra detailed minatures of his cars. HOWEVER this is also a callback to one of my favorite posts I've ever made, back when I translated Seb's car names into Latin. So it was fun to actually get to canonize that in a way. ALSO! BTW! Those horses are specifically Lipizzans, which are a very iconic horse breed in the Habsburg Empire and Vienna specifically. A horse breed sought after by the Habsburgs for both war but also riding schools, and they still remain as the breed of horse trained in Vienna's Spanish Riding School today. The emperor Seb is based on comissioned the school's main riding hall, and his portrait still hangs above where the riders enter. So I thought that was a fun little easter egg to include!

Also the characterization in this is so funny. I guess I'd consider them a polycule, like they're a unit and all have interesting relationships between each other. But one of the main focuses is the kinda love triangle between sebmarknando. Like Mark and Fernando constantly fighting for Seb'cs undivided affection and attention. But as per usual, Jenson, who is on the sidelines, swoops in effortlessly with the most perfect gift ever. I feel like he understands and gets along with Seb the best out of the three, but just doesn't want to deal with such a complicated thing so he's satisfied being a bit distant(he secretly takes a lot of joy one-upping the other two. It's impossible to not crave your ruler's attention, no?)

[sockatoothewafflebird]

I MISSED IT.

oh my god. if i had known sooner, i would have done something- drawn a tribute, maybe- for this show. this show is a part of me. this show has been with me through so much and it is impossible to overstate how much it means to me. it was there during the best and worts times of my life. i cannot ever ever imagine my life without this show.

so, as a tribute to it, because i MISSED THE DAMN ANNIVERSARY OHMYGOD, i'll tell my story with it. i feel like it should be shared because i know there are others out there that appreciate the show just as much as i do. this is pretty long so uhhh word wall warning teehee

i remember when i first discovered it,

about halfway into 2020. season one had finished airing by the time i found it. i had heard things about this "lumity" characyer and decided to try it out because i was an "ally" at the time (oh, how things can change).

it wasn't on a streaming service yet, nor did my family use cable TV, so i watched the entirety of the first season through clips pirated on youtube.

i fell in love with it. watched every theory video i could get my grubby little hands on, watched reaction videos, watched those iconic lumity animatics and listened to the songs on loop for months. it became a part of me.

and, guess what? i made the lego eda meme my pfp on my school laptop (remember that one guys?? oh man that was a WHILE ago) and someone in my school, a new guy, asked me about it. said he liked my pfp and asked if he could sit with me and my friends during lunch. and now, even after both of us moving thousands of miles away, we're still in touch.

that was FOUR YEARS AGO. i know that seems kind of a short amount of time, but i've never held a friend that long before, having moved around a lot in my life. long story short the owl house got me like half the friends i have today.

anyway, back to the show.

i can never forget the hype when season 2 was announced.

i remember scrounging youtube like a starving dog for any content, teasers, theories, etc etc etc i could physically find. i was a pretty sheltered kid back then so i couldn't see any hype for it on social media other than youtubers gushing about theories. but i felt like i was there with everyone, squealing and kicking our feet together over our favorite show getting a new season.

most vividly, i remember being fucking pissed when i saw that the third season we could've had was cut short. i remember all the angry videos, and the petitions, everyone, everyone was all collectively screaming for this to change. we wanted the show to get what it deserved, but alas, it's Disney. so of course we just had to make do.

when season two began airing i forgot all about my anger. i forgot everything because, i had to watch it as soon as possible. i'll remind you, dear random internet user, that my family did not have cable TV at the time, so i couldn't watch it the second it aired there. i watched youtubers' reactions to the episodes.

it was the best feeling ever waking up on a saturday and seeing all of the reaction streams to the episode from all my favorite youtubers- i had to watch it all through the tiny top left corner of my phone screen and i was ecstatic. i loved being able to watch the show with everyone else, even if i sometimes missed reaction premiers or streams and got to them a day late- it was in the top ten most fun months of my life.

oh, and, do you remember? do we all remember Through The Looking Glass Ruins? the episode where gus develops his character and powers, and also the episode in which... you know... amity and luz indirectly admit their feelings for one another? TO each other? you just had to be there for the EXPLOSIONS that happened online that day. the absolute SCREAMS of joy from everyone when amity cheek-kissed luz at the end. it was amazing to witness so many people everywhere, in my social circle and online, collectively cheering and shouting for joy over a queer couple. a sapphic couple, portrayed positively, and casually, and OPENLY.

you have no idea how amazing it felt, after years of questioning myself, to see that on screen. to see that and to see everyone happy about it.

in the time between season one and season two's release, i opened up about questioning my sexuality to my parents, and they were... reluctantly supportive. i took a ton of time to figure it out myself, like maybe two years of constantly cycling though labels and wondering and wondering and thinking really really hard about it.

i remember seeing luz and amity very clearly being a potential couple in the show, and then they actually BECOME A CANON COUPLE a few episodes later, and feeling utter jealousy because i wanted what they had. the world exploded because, for a lot of people, this was a huge finally moment. finally, we have something good for ourselves. i remember watching and re-watching the lumity scenes in the first part of season two over and over and over, and thinking, "i don't want this with a boy. i want it like that." and it was liberating. i cannot thank this show enough for that feeling of fully accepting myself as a 100% organic home-grown lesbian.

that's just my experience with the show, but i'm sure there are tons of other similar stories, because this show was my first exposure to positive queer rep (raine whispers and amity blight are me favorite characters, i think you can guess why) and that changed everything for me.

anyway, on with the show.

the second part of season two released, and the fandom went wild. i cried. i sobbed. the finale was amazing, the lumity moments were amazing (they're portrayed as one of the healthiest couples i've ever seen in modern media ohmygod), the story was amazing. every episode, banger after banger. every minute, smile after tear after mind-blowing moment. the owl house team took disney's smelly, rotten lemons, and they made fucking lemonade. the best lemonade i've ever had.

and also, can i talk about how amazing it is to see so much representation of usually horribly portrayed groups? luz is canonically ADHD. many characters could also be seen as neurodivergent (gus my beloved) eda's curse is a stand-in for chronic illness. hunter's entire story is one about abuse, and belos's is a story of how a person can become a monster, about how sometimes monsters cannot and should not be redeemed. this show is a fucking masterclass in rep.

anyway, "season three" (fuck yoy disney) was amazing, and every episode made me bawl.

i remember seeing that they released the episodes in youtube, and i remember the absolute beauty it was to see millions upon millions of views for it. i remember watching the first one while making myself an omelette. that omelette ended up having my tears in it. i'll have you know that i almost never cry at media, so the owl house really fucking achieved something with all of the tears i shed.

i remember crying when luz "died," crying when she came back and screamed in bel-ass' face , "EAT THIS, SUCKAAA"- and i remember crying at the collective "byeeee" from the whole cast. i remember feeling a sense of bittersweetness that it was over. but the whole cast got the endings they deserved, and that was enough for me.

the owl house is a part of me now.

the owl house's run was a comfort when the news was screaming and crying, it was a comfort when i needed escape, and it was a huge part of the person i am today. i cannot ever thank this show enough.

i'll probably draw something to commemorate the anniversary if i ever find the time, but for now, this post is a way for me to send my appreciation towards the fandom, the creators in the fandom, and the creators of the show that made it possible. this show is over now and has been for years, but it will never leave me. happy five years, everyone! here's to many more! 🥂

[petruchio]

ahhhh im so embarrased lol. fully sent an ask to another user thinking it was you. in my defense i remember ppl by their profile pics and i kept looking for the britney profile pic and then when i couldn't find that, i started searching up thg on both profiles hoping for like a post/meta/a set of tags that i remembered lol. unless the britney profile pic was also not you.... in which case im going to go crawl in a hole and scream. anyway, what did you think about sotr!!! imo she made a lot of Choices in the books that i didn't personally care for. haymitch eternally mourning his teenage love being one of them. i remember reading about his geese at the end of the first trilogy and being so happy?/proud? that he found a way to cope. only come to find out it's just another way he reminds himself of lenore dove????? thank god these books have been out since 2010 and idc if god himself said that this is correct interpretation of haymitch's story. you will not!!! take away my decade and a half long hcs away from me. idgaf.

onto the good!!! effie.... wow. they've known each other since his first games...... 25 years..... twenty-five years..... the big two five...... twenty-five years of watching children die together. twenty five years of effie watching haymitch sink deeper into his alcoholism...... two and a half decades of knowing each other and then she has to call his name for the 75th games..... twenty five years of hand in unlovable hand..... you are coming down with me. also very me and my husband coded. at least in this lifetime, we're sticking together.... me and my husband we're sticking together.

ohhh head in hands head in hands. somebody fucking SEDATE ME!!!!

tldr; idgaf what collins wrote. i've spent a decade thinking about this dude. i'll probably just take the parts that i like and move on with my life lol. would love to know what you think about it!!! and if you've already made a post about that and i happened to miss it, then so sorry for word vomiting in your inbox.

sending lots of love <33333!!!!

LOLLL but anon who is the other me 👀 it's actually funny you say that because i was thinking about changing my icon today but didn't commit but i feel like i was britney for SO long that even when that pic isn't my official icon it's still ~me~ (bc like. dump him!!)

ANYWAY you asked me about sotr

ummmmmmmmm, how do i put it lightly, i didn't like it haha. i have a tag here you can check out and i've been trying to tag everything as sotr spoilers too -- i answered a couple asks right after reading it so those are in the tag if you want to read. i was fairly negative but well. i didn't really like it at all tbh.

and i agree about the geese, i don't know -- i just don't feel like everything needed a backstory that tied back 25 years, i think it was fine that haymitch just raised geese. like i think it was sweet. i didn't think it needed to relate to his teenage girlfriend haha. like i actually think that cheapens it.

and yeah i just simply don't really see the character we met in sotr as haymitch if im being honest. like he just doesn't feel like the person we meet in thg, and i don't mean that in the sense that "he's younger" i mean that it genuinely doesn't feel like the same character to me, even if you add ALL the context of the years of mentoring and having to perform a role for the capitol and drinking it just. it doesn't seem like the same dude if im being honest. haymitch always seemed to me -- at least in the original trilogy -- as someone who's kind of too smart for his own good, someone who would've looked at the arena and said well, if i can't win, i might as well try to make something interesting happen and tried to find the edge just to see if it was possible. that was his motivation and it made sense and seemed in line with the character as we meet him in thg -- he was just messing with shit to mess with it. that's the vibe i always got from the character. not ... whatever tf was happening in that book.

i'm happy that you liked the effie cameo, if im being honest it annoyed me... the effie revisionist history has driven me crazy ever since the first thg movie because to me she! is! annoying! and that's not to say she isn't a very REAL character, one that could just as easily be, like, your annoying coworker or your cousin's weird friend or someone you know in real life -- but i also don't think she needed a backstory or motivation outside of: this is a woman who was willing to do the job of "escort" and bring two children to the captiol to be killed every single year. that's all we really need to know about her motivations in my opinion! (it also makes the line in the first book where katniss says she's just waiting to get promoted to a better district make no sense and seem kind of crazy, bc if she's been sticking by haymitch for 25 years out of loyalty or compassion or something... i feel that her vibe would be markedly different in the original trilogy. but that's just me.)

ANYWAY. sorry for being such a dark cloud about the book but it just did not hit for me... i'm with you in the sense that I HAVE BEEN THINKING ABOUT THIS DUDE FOR LIKE FIFTEEN YEARS and i will just choose to adopt whatever new bits of the canon i feel like adopting and pretend everything else was just a fun little fanfic project that suzanne did or something.

IDK GUYS. i feel like everyone else had a much better time reading this book than i did haha. im sorry my opinion is such a downer, i just didn't feel like it built on the world in any justifiably interesting way (like tbosas did) and i also didn't feel like it made sense given what we know about basically every character that appeared! so it frustrated me. <3

lots of love

[kimberlyannharts]

At this point Power Rangers has done a few crossover comics, and they've all been some pretty logical and big name choices - the Justice League, the Teenage Mutant Ninja Turtles, and Godzilla. So today's crossover comic is one that definitely took people by surprise - Usagi Yojimbo, the long-running story of a wandering rōnin having adventures in feudal Japan (who also happens to be a bunny rabbit), written and illustrated by Stan Sakai since 1984. While an icon in his own right - funnily enough, he's a regular guest in TMNT properties - I don't think ANYONE really had HIM in mind as a contender for a crossover with Power Rangers compared to more conventional properties like Transformers or even My Little Pony.

After all, what do they know about samurai in Power Rangers?

It's Mighty Morphin Power Rangers/Usagi Yojimbo!

= So I know I've gone on and on about Shawn Daley's art but I really just need you to look at them again. It just makes me so happy to see a more stylized take on the MMPRs - basically if you took Daniele di Nicuolo's art and ramped up the anime influence by 100. It gives the book that much extra charm

= who the hell is THIS I'm here for the FURRIES not another random boring human!!!!!! it's like I'm playing Animal Crossing

= Jason's attitude in this book annoys me but at the same time it wouldn't be a Ryan book if he wasn't writing Jason in a way that annoys me.

= (also, they knew about the Morphin Masters this early in their Ranger career? I guess Zordon did mention them in an early episode, but.........what have they done that's similar to this that Jason would know about kjkjdkf

= I still think it's very weird that they didn't give the whole "maybe it would be easier if I was fighting alone" to uh.....you know.....Tommy, the loner? Who's so used to fighting alone that he struggled to adjust to a team? But I guess he has a girlfriend and Jason doesn't so.

= Is this a safe space. because the rabbit is pretty hot.

= HAHAHAAAA TOKEN EVIL HUMAN I KNEW IT

= YFIP: THE MIGHTY MORPHIN POWER RANGERS - assisting the villain, thievery of a powerful artifact, assault against civilians, racism against furries

= Like I've said before Jason's characterization here irritates me a bit but I'll give the book props that someone's actually allowed to call him out on it for once. Like man I wish Tommy in the main series was allowed to tell Jason to shut up once in a while like Usagi does here

= Kim: Tommy, it's 4 pm! Time to go help our friends!

Tommy: yes honey

= Wow, look at these guys! They're like......Shogun Rangers! ............wait a minute

= But seriously, though, I gotta say these are one of the best alternate MMPR designs we've gotten in ages - I LOVE how they apply all of MMPR's little details into each individual user. And the altered weapons are awesome, too. Between these and the Kaiju Rangers we've really been cooking with the alternate forms lately

= And as I said, they did manage to resist the urge to give Usagi a Ranger form. I did like my old "maybe he'll find a Samuraizer" idea, though

= They both nearly died via crystal explosion a few hours ago but all they care about is their cool new outfits, just otp things <3

= I was about to say "well yeah, duh, that's why the Dragonzord doesn't have wings" but then I remembered. oh yeah. technically the Zords aren't Japanese in origin in-universe, are they

= It's nice to see Dragonzord Battle Mode! That was a form that didn't get a lot of spotlight in the comics - I think the only time we really saw it in the main series was Shattered Grid, and not for very long before it got destroyed by Serpentera

= Kim and Usagi only get one real onscreen exchange but she also catches him in the Pterodactyl and they have matching bangs. I'll take this as a win, though Splinter is still her #1 rodent dad

= they are so fucking sad

= I think future books should bring Usagi back or just crossover with him again with no explanation. Make people think he's a PR character just like how people assume he's a TMNT character

[loulougoingsolo]

"Just yourself be, if weird is you."

I don't often get annoyed by Rhett or Link, and it is probably a strong word to use even now, but...today's Ear biscuits episode kinda made me growl at Rhett a little.

I'm not going to talk about the entire episode, but the guys were answering listener questions, and the last one was about midlife crises, if they have them and how.

Now, as someone who is less than a year younger than Link, I've probably tackled a crisis of my own in the recent times. (You could say my entire adult life has been a crisis, but I won't.) But I loved Link's explanation of his midlife crisis, which was basically finding the limits of how weird he can be without making Christy scratch her head too much. Like, Link basically said he is still exploring what he is and what he wants to be (and I'm not implying he was talking about his sexual identity - I think he meant he is exploring his identity in a broader context of being human). Rhett took this as an opportunity to remind Link that when someone chooses to be "weird", they need to understand that it might impact their relationships. And at that point, I growled.

I'm a weirdo. I spent way too many years of my life trying not to be weird. The funny (not really) thing was, trying to act normal only made me sick, made me behave in a very unnatural, stiff way around other people, and I was miserable. I dare to say, nowadays, after, thanks to a lot of soul-searching, therapy and embracing my true self, I come across much more likable than before. I'm not tense, I don't need to put on a mask, and I am more comfortable with myself, which just makes me more fun to be with. Syre, there are people who think I'm too weird, don't act my age, or make strange stylistic choices. The people I love accept me as I am, and I may have infected them with dashes of self-acceptance, too. So, grrr at you, Rhett.

Seriously though, I love that Link is less tense these days. I know some people are annoyed by him, but I love how he has blossomed from an antsy guy who stuck to wearing t-shirts and jeans to an actual fashion icon. He's less afraid of showing his emotions these days (good and bad), and he's just overall more at ease. I'd hate for his loved ones to try to tame him too much, and I hated the way Rhett managed to make his advice sound like a threat that if Link gets too weird, he'll lose some of his relationships.

Maybe I heard more than was said. Maybe this rubbed me the wrong way, because I see myself in Link more than I do in Rhett, and I recognize the things Link said in myself. I hope to hear other people's thoughts on this episode, and this answer about midlife crisis in particular.

Also, for anyone planning to go hiking with a cat: I love the idea, and if I see you with your cats on the trails I take, I want to be your friend. I have been known to lightly stalk a lady who was in the library with her cat on her shoulders, just so I could coo at the furbaby.